Kwadratura ko?a【電子書籍】[ Tomasz Bogu? ]＞＊■1414 - 隠れ家エステ

＜p＞The first detailed examination of the place of pop music film in British cinema, Stephen Glynn explores the interpenetration of music and cinema in an economic, social and aesthetic context through case studies ranging from Cliff Richard to The Rolling Stones, and from The Beatles to Plan B.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Surrealism in China initially gained a foothold in Shanghai’s former French concession during the early 1930s, disseminated by returning Chinese students who had directly encountered the movement in Paris and Tokyo. Shanghai surrealism adopted a dialectical form, resonating with the modus operandi of the Parisian movement as well as China’s traditional belief system of Daoism. Reconciling the thought of Freud and Marx, Surrealism subsumed the multiple contradictions that divided Republican Shanghai, East and West, colonial and cosmopolitan, ancient and modern, navigating the porous boundaries that separate dream and reality. Shanghai surrealists were not rigid followers of their Parisian counterparts. Indeed, they commingled Surrealist techniques with elements of traditional Chinese iconography. Rather than revolving around a centralized group with a leader, Shanghai Surrealism was a much more diffuse entity, disseminated across copious different periodicals, avant-garde groups, and the entire gamut of political ideology, ranging from Nationalist party supporters to Communist sympathizers. Ultimately, the pervasive presence of Surrealism in Shanghai can be attributed to a wide range of factors: a yearning for national renewal, the stagnancy of the guohua genre, anticolonial protest, the rise of Western individualism, circumnavigating censorship and experimentation in search of a unique artistic voice. This is the first English-language book dedicated to introducing Chinese Surrealism, using periodicals and other primary sources to reveal the mutual cultural influences between China and Western avant-garde, and broaden the scope of Surrealist studies beyond Eurocentric prisms.＜/p＞ ＜p＞＜strong＞Lauren Walden＜/strong＞ is a research fellow at Birmingham City University.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞I wrote this collection in 2 days. At a shop that I worked at in downtown LA called Sweet Flower. This show was so calming,a peaceful and wonderful place to work at. The place and it's workers inspired me so much.The poem Sunday Goods was based on one of the products that they sold. The Sweet Flower poem's title was based on the name of shop. This book is also a reflection of my calming peaceful mood. I hope you all enjoy this 17th poetic journey.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The Stonehenge landscape is one of the most famous prehistoric places in the world, but much about its origins remains a mystery and little attention has been paid to what preceded, and thus may have influenced, its later ritual character. Now, the discovery of a uniquely long-lived Mesolithic occupation site at Blick Mead, just 2km from Stonehenge, with a detailed radio carbon date sequence ranging from the 8th to the late 5th millennium BC, is set to transform this situation. 　＜/p＞ ＜p＞This book charts the story of the Blick Mead excavations, from the project’s local community-based origins to a multi-university research project using the latest cutting-edge technology to address important new questions about the origins of the Stonehenge landscape. Led by the University of Buckingham, the project continues to retain the community of Amesbury at its heart. The investigations are ongoing but due to the immense interest in, and significance of the site, this publication seeks to present the details of and thoughts on the findings to date.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Stories are carried like cargo on trains from the Rocky Mountains to the East Coast in this cautionary tale of what happens when we’re haunted by the hunger for the ever-greater development and exploitation of natural resources. A nineteenth-century fur trader and his M?tis guide are harrowingly pursued by an unseen monster on the Athabasca River. Two freshwater biologists in present-day Fort McMurray investigate pollution downstream from the oil sands, until one becomes obsessed with his discovery of a centuries-old skeleton. A young man comes to work in the Alberta oil sands, but is driven home after discovering the body of a missing co-worker. The residents of a small town unite in grief after an entirely preventable disaster. Stories intersect and echo, connecting the dots between voraciousness and victimhood, beasts without and beasts within, and ravaged landscapes and ruined souls.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Perch? non ci sono state grandi artiste? Linda Nochlin ribalta il senso di questa capziosa domanda per denunciare con lucidit? e ironia un secolare dispositivo di discriminazione. Attraverso un approccio decostruzionista, l’autrice mette in discussione il concetto stesso di ≪grandezza≫ artistica, di cui svela presupposti e meccanismi ideologici. Non solo la Nochlin scava oltre le mistificazioni della cultura patriarcale, ma corregge anche i limiti della prospettiva femminista e dimostra quali e quanti condizionamenti abbiano storicamente precluso alle donne la possibilit? di eccellere nel campo dell’arte, ovvero di raggiungere risultati artistici paragonabili a quelli degli uomini. Persino in tempi pi? evoluti, nei casi di successo, le donne mostrano spesso un’ambivalenza irrisolta, lacerate tra aspirazioni e aspettative sociali, autostima e adesione a una distorta nozione di femminilit?. Pubblicato originariamente nel 1971, Perch? non ci sono state grandi artiste? ? oggi riconosciuto come testo fondante, un’indispensabile lezione metodologica di storia dell’arte.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞??多用于古代?信，是文人雅士通信的信?。随着雕版印刷技?的提高，??上描?的山水、花?、奇石、人物等，成?了一?具有收藏性和??性的版画?集。“尺素?雅”系列??，以中国古代?????内容，?合?美的古??，?文并茂地展?中国古????和古典文学之美。?系列??包含《花木小?》《山水小?》《禽?小?》和《雅事小?》四?。《雅事小?ーー少年游》?取90余幅雅事?，并搭配相?古??，展?包括文人雅士、仕女、儿童、名人典故等，耐人?味。＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞It tells the story of a girl who dreams of being a ballerina, but her parents are unable to afford ballet lessons. However, an unexpected event of destiny, ends up being favorable for Sophia to realize her dream of being a ballerina.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

ART OF WEAVING Betty Briand STACKPOLE CO2023 Hardcover English ISBN：9780811771849 洋書 Art & Entertainment（芸術＆エンターテインメント） Crafts & Hobbies