Lac/Athabasca【電子書籍】[ Len Falkenstein ]＞■●2928 - 隠れ家エステ

＜p＞The first detailed examination of the place of pop music film in British cinema, Stephen Glynn explores the interpenetration of music and cinema in an economic, social and aesthetic context through case studies ranging from Cliff Richard to The Rolling Stones, and from The Beatles to Plan B.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Interpretare Blow-up significa attivare un discorso filosofico complesso, attraversare quell’universo d’immagini molteplici e ambigue, che costituisce il film nella sua interezza. La centralit? del presente lavoro ? mostrare come il testo filmico lavori con concetti teorici forti come quelli di illusione, falso, percezione, ecc. Emerge cos? una struttura che configura, oggettiva e risolve concetti mutuati dal pensiero ermeneutico e dalla decostruzione. Con una particolare focalizzazione sullo sguardo, l’analisi mette in evidenza la dimensione auto-decostruita del film, risultando essere estremamente significativa e di importanza fondamentale per comprendere i discorsi che il testo attiva. Ma anche i problemi dello spazio e dell’immaginario sono studiati in maniera ampia, in una riflessione costante sulla messa in scena di Antonioni, anche e soprattutto nella misteriosa sequenza del Maryon Park che costituisce tutta la parte centrale del libro.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Enfin　! Depuis l’av?nement d’Internet, les 99,9% d’amoureux des films et des s?ries qui n’exercent pas la profession de critique peuvent se faire entendre... Mieux, ils peuvent passer sans effort de la position ＜em＞devant＜/em＞ ? la position ＜em＞depuis＜/em＞ : s’asseoir devant un ?cran et s’exprimer depuis un ?cran sont en effet devenus deux attitudes communes. Les films et les s?ries arrivent sur les terminaux domestiques　; tout de suite apr?s et quelquefois m?me pendant leur diffusion, les avis et les analyses partent en sens inverse. Une autre nouveaut? consiste en la diversification de la parole critique, confin?e jusqu’ici ? l’?crit ou aux conversations ?ph?m?res. Internet et la d?mocratisation des machines qui accompagne son essor ajoutent aux mots toutes sortes d’images, de sons et de manipulations audiovisuelles, laissant l? encore loin derri?re le mod?le s?culaire du critique professionnel ?crivant son papier.＜/p＞ ＜p＞Comment ?tudier ces bouleversements　? Comment r?agir devant l’abondance des critiques post?es, la vari?t? de leurs formes d’expression, l’interactivit? qu’elles engendrent, sans parler du rapport ? la professionnalisation qu’entretiennent leurs auteurs, surtout quand ils atteignent le statut de ≪　vlogueur　≫ vedette　? Une seule mani?re possible　: l’interdisciplinarit?. Le pr?sent ouvrage r?unit donc les contributions de sp?cialistes en provenance de champs divers (sociologie, ＜em＞Gender＜/em＞ et ＜em＞Cultural Studies＜/em＞, Sciences de l’information-communication, etc.), sans oublier les acteurs les plus en vue de cette r?volution de la parole critique, les ≪　vlogueurs　≫.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞A lively, colorful figure drawing instruction book that encourages aspiring illustrators to work in ink and watercolor to create quick, confident renderings of diverse, contemporary people.＜/strong＞＜/p＞ ＜p＞While today's illustrators work primarily in ink and watercolor, figure drawing instruction still tends to emphasize work in pencil. Commercial illustrator Kagan McLeod offers an approach to figure and portrait drawing more in keeping with today's preferred tools and techniques, one that focuses on cultivating spontaneity, energy, and confidence by providing exercises for brush work in ink and watercolor. By breaking figure and portrait drawing into the three major aspects of line, tone, and color and recommending time limits for each exercise, McLeod encourages working fast and fearless, rather than worrying about getting your figures just right. Filled with numerous illustrative examples of diverse, modern people, ＜em＞Draw People Every Day＜/em＞ reflects practical, applicable techniques to get you drawing the people you see in the world around you with speed and proficiency.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Robert Sidney, the first Earl of Leicester (1563?1626), serves as an exemplar of an Elizabethan nobleman who had in his collection a body of work pertinent to the subject of masculine honour in the private realm. Understanding the nuances and evolution of the term private honour as it is represented in Sidney’s artefacts, as well as in the public discourse of the era, is the work and contribution of this book. The permeability between the private and public spheres led to an emergence of new forms of masculine representation. In a time when manhood was intertwined with militaristic qualities (such as courage, strength and fortitude), my investigation shows that in the domestic sphere, a gentler version of masculinity, encouraging humility, constancy and modesty, was fostered amongst the nobility. While worries of effeminacy certainly existed, there also was a strong discourse that encourage men to adopt so-called feminine virtues within the private sphere.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞l padovano Melchiorre Cesarotti (1730-1808), scrittore fecondissimo e fautore degli ideali illuministici, pubblic? nel 1801 l’edizione definitiva in 4 volumi delle traduzioni italiane delle poesie composte dallo scozzese James Macpherson, a partire dal 1760, sotto il falso nome di Ossian, leggendario bardo gaelico del III secolo. Nei volumi spiccano il poema epico ＜em＞Fingal＜/em＞, il poemetto ＜em＞Temora＜/em＞, ＜em＞I canti di Selma＜/em＞, grandiose visioni di un medioevo barbarico, ma sentimentale, che Cesarotti rielabor? con una sua personale cifra stilistica, diffondendo in Italia la “moda ossianica”, che divenne componente essenziale del cosiddetto preromanticismo. Alle sue traduzioni attinsero Alfieri, Monti, Foscolo e Leopardi.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞'Three options, as I see it ? they'll kill it off entirely, you'll let it die of natural causes, I'm going to make it live again.'＜/em＞＜/p＞ ＜p＞When the owner of a Sheffield scissor manufacturer dies, the future of the factory site falls into uncertainty. Can it be reborn as a fashionable music venue, converted into luxury apartments, or somehow reinvigorated so the old business can survive?＜/p＞ ＜p＞There's more than just money or bricks and mortar at stake. It's about knowing where you fit in the world ? knowing that somewhere there's still a place for you.＜/p＞ ＜p＞Fresh, funny and heartfelt, ＜em＞Rock / Paper / Scissors＜/em＞ are three intricately interwoven plays by Chris Bush about family, heritage and legacy. They were first performed simultaneously with the same cast moving between three theatres in Sheffield ? the Crucible, the Lyceum and the Studio ? as part of Sheffield Theatres' fiftieth birthday celebrations in 2022.＜/p＞ ＜p＞While the three plays can be enjoyed separately, they also offer a uniquely rewarding opportunity for any company looking to take on the challenge of staging them together.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞(Guitar Play-Along). The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the audio to hear how the guitar should sound, then play along using the separate backing tracks. The melody and lyrics are included so you can sing along as well. Includes: Bad, Bad Leroy Brown * I Got a Name * I'll Have to Say I Love You in a Song * Operator (That's Not the Way It Feels) * Photographs and Memories * Time in a Bottle * Workin' at the Car Wash Blues * You Don't Mess Around with Jim.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞L'auteur vous offre une cinquantaine de textes destin?s ? ?tre mis en musique et ? devenir des chansons. Si des compositeurs sont int?ress?s, qu'ils n'h?sitent pas ? le contacter. En attendant, bonne balade dans les mots qui font chanter la vie, avec ou sans musique.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。