DVS Mindz The Twenty-Year Saga of the Greatest Rap Group to Almost Make It Outta Kansas【電子書籍】[ Geoff Harkness ]＞▽▽1454 - 隠れ家エステ

＜p＞LE SCRIBE MASQUE N°7＜/p＞ ＜p＞Dans ce num?ro :＜/p＞ ＜p＞≪ X a lu pour vous ≫ (1 article)＜/p＞ ＜p＞≪ X a vu pour vous ≫ (1 article)＜/p＞ ＜p＞Feuilleton : ? La D?rive des mondes gangren?s de Laurent NOEREL (4?me partie)＜/p＞ ＜p＞NOUVEAU : ≪ Personnalit?s extraordinaires ≫ et promos＜/p＞ ＜p＞1 NOUVELLE de Roald TAYLOR＜/p＞ ＜p＞1 NOUVELLE de Christian FRENOY＜/p＞ ＜p＞LA TRIBUNE : 3 articles＜/p＞ ＜p＞Et toujours de bonnes surprises !＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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＜p＞Studienarbeit aus dem Jahr 2004 im Fachbereich Amerikanistik - Literatur, Note: sehr gut, Universit?t Duisburg-Essen, Veranstaltung: Hauptseminar Henry James, 14 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Henry James Geschichte 'The Turn of the Screw' brachte nicht nur unz?hlige Interpretationen und Diskussionsstunden bei Literaten hervor, sondern sie diente schon mehrfach als Basis f?r eine Verfilmung. Die erste Verfilmung mit dem Titel 'The Innocents' ist 1961 unter der Regie von Jack Clayton entstanden und gilt bis heute als ein Meisterst?ck und Klassiker des 'British Horror Cinema'. Sowohl das Original in Schriftform als auch die filmische Adaption erreichen auf ihre jeweils eigene Weise ein hohes Ma? an Ambivalenz hinsichtlich der Natur und Realit?t der Gespenster und ihrer Opfer zu erzeugen. In diesem Essay versuche ich die Mittel, mit denen die Doppeldeutigkeit erzeugt wird, herauszustellen und anschlie?end miteinander zu vergleichen. Zun?chst gehe ich auf die Geschichte von Henry James ein und versuche den Beweis f?r die Hypothese zu liefern, dass die Essenz der Geschichte darin besteht, sie nicht eindeutig interpretieren zu k?nnen. Im zweiten Teil der Arbeit wird der Film in Bezug auf seine Umsetzung der Doppeldeutigkeit analysiert und schlie?lich ein Fazit aus beiden Teilen gezogen.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Questo saggio di Tolst?j ? stato scritto nel 1896, ossia sette anni dopo Sonata ≪Kreutzer≫, del 1889. Il tema di quel romanzo ? il sottovalutato strapotere manipolatorio della musica sulla volont? umana ? viene qui ripreso in forma diversa e pi? generale.＜br /＞ Le varie arti sono affrontate insieme in parallelo, e si analizza in particolare il ruolo dell’arte nella societ?. Se nel Parassitismo (1910) lo scrittore divide le persone in due categorie, quelle che faticano e quelle che vivono a spese di chi fatica, qui lo stesso tratto distintivo ? applicato agli artisti e ai fruitori dell’opera d’arte. Tolst?j si domanda come possa un artista ? che conduce una vita priva di fatica fisica e ha valori etici di riferimento diversi dall’operaio e dal contadino “faticatori” ? trasmettere attraverso l’arte un messaggio che risulti coinvolgente per le masse popolari.＜br /＞ Oggi forse diremmo che l’artista moderno ? in questa visione tolstojana ? ? autoreferenziale, e quindi i suoi prodotti non possono esercitare un appello sulle masse. L’arte permette a chi conduce una vita di fatica di riposarsi, distrarsi, rigenerarsi mediante la ≪percezione passiva dei sentimenti altrui≫. Per Tolst?j l’artista prova sentimenti che il faticatore per definizione non pu? provare ? per mancanza di tempo ed energia ? e li “mette a disposizione” del popolo attraverso l’opera d’arte. Secondo lo scrittore, la persona che ascolta, per esempio, un brano musicale prova le stesse cose che provava il compositore quando l’ha scritto. Oggi forse diremmo che l’artista fa provare in modo virtuale all’uomo di fatica ci? che l’artista ha provato in modo empirico.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞No can see the world that exists inside one's head. Sometimes you might wish you could close your eyes and never wake, drifting off peacefully into an eternal slumber. ＜em＞(No) I am (not) okay＜/em＞ is Dre Hill's exploration into this hidden inner world and what happens within. This chapbook centers its dialogue on suicide and ideations, mental health, along with commentary on religion, race, and gender, and how these structures further cloud the waters of the mind. Here, Hill reckons with the weight of the war waged in one's own mind. ＜em＞(No) I am (not) okay＜/em＞ is raw, unashamed, and unafraid, willing to say things that many think but feel they could never articulate.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This anthology features six plays by celebrated Chicago playwright Mickle Maher, who has been described by the ＜em＞Houston Chronicle＜/em＞ as “one of the most original voices in American theater today,” and by the ＜em＞Chicago Reader＜/em＞ as “a master at creating complex, paradoxical works that encompass their own contradictions.” Maher’s plays engage classic literature as a jumping off point for seriously unusual comedic dramas, often dealing with the absurdity, difficulties, and rewards of artistic endeavor. His work has been influenced by or compared to Eug?ne Ionesco, Maria Irene Fornes, Kenneth Koch, and Edward Albee, among others. This edition is designed to be useful for schools and other organizations that wish to mount productions of Maher’s plays, which generally feature small casts and simple scenery and stagings, and thus can be easy to produce.＜/p＞ ＜p＞The anthology includes:＜/p＞ ＜p＞＜em＞＜strong＞An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening＜/strong＞＜/em＞＜br /＞ On the night Faustus concludes his bargain with Mephistopheles, he apologizes to a group of random people for his failure to keep a diary of his fabulous life.＜/p＞ ＜p＞＜em＞＜strong＞The Hunchback Variations＜/strong＞＜/em＞＜br /＞ Ludwig von Beethoven and Quasimodo present a panel discussion on their failure to create an impossible sound called for in a stage direction in Chekhov’s ＜em＞The Cherry Orchard.＜/em＞＜/p＞ ＜p＞＜em＞＜strong＞Song About Himself＜/strong＞＜/em＞＜br /＞ In a dystopian future, a woman made extraordinary by her ability to speak relatively clearly tries to connect with others on a mysterious social media site created by a rogue artificial intelligence.＜/p＞ ＜p＞＜em＞＜strong＞There Is a Happiness That Morning Is＜/strong＞＜/em＞＜br /＞ Having engaged the evening before in a highly inappropriate display of public affection on the main lawn of their rural New England campus, two lecturers on the poems of William Blake must now, in class, either apologize for their behavior or effectively justify it to keep their jobs.＜/p＞ ＜p＞＜em＞＜strong＞It Is Magic＜/strong＞＜/em＞＜br /＞ Deb and Sandy are auditioning Tim for the role of the Wolf in a production of The Three Little Pigs, but there’s a mysterious haze in the basement of the Mortier Civic Playhouse and that, in addition to interruptions from the director of the Scottish play that’s going on upstairs, is making things difficult. Then, Liz shows up and throws the whole room into (further) chaos. ＜em＞It Is Magic＜/em＞ reveals the deep, ancient evil at the heart of the community theater audition process.＜/p＞ ＜p＞＜em＞＜strong＞Spirits to Enforce＜/strong＞＜/em＞＜br /＞ Twelve telefundraisers with secret identities work to raise money for a superheroic production of ＜em＞The Tempest＜/em＞ in a bid to save Fathomtown from Professor Cannibal and his band of evil doers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞Creature＜/em＞ is a complex poetics of vitality, and it immaculately cleaves: even as it underscores how living in an inherently inhospitable environment will dispossess us of the world and one another, making animal of man, it sutures the rent evolutionary tree, glorifying the interdependence of each extant thing. Michael Dumanis expertly cultivates the multiplicity of language and makes of “creature” a marvelous contronym; we are a creature as in a beast, debased, beholden to nature, and we are creature as in an extension of creation, improbably sentient, mortal, here. In “Autobiography,” the speaker attests to the contradiction at the root of cognizance: “Am, as an animal, anxious. Appendages always aflutter, / am an amazing accident: alive.” How does the human mammal embody both and neither ー communal and itinerant, leaving home to approach it, as an immigrant and a geographic nomad, as someone’s child and another’s parent, as being and thing? How do we negotiate our ouroboric identities while attuned to not just our own fragility, but an impending global extinction event? The answer is the absence of answer. “In the beginning, I thought a great deal / about death and sunlight, et cetera,” Dumanis admits in “Squalor,” but “The Double Dream of Spring” absolves us of outsmarting impermanence. “O what a ball I had, spending the days.” And what should we do in this vernal brevity but exhaust it? We each only have so long to trace our hand “over the stony bones / that, fused together, hold [our] only face.”＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞Shows the surprising ways T. S. Eliot's work sheds light onーand proves useful toーthe contemporary struggle for a freer and more just world.＜/strong＞＜/p＞ ＜p＞How does literature from the past speak to the present? What can we, as readers committed to combatting oppression, learn from figures whose writing we love but some of whose beliefs we may oppose? Quite a lot, according to Patrick R. Query. To make this case, Query turns to a writer and critic as canonical as he is controversial-T. S. Eliot. Passionately argued and eminently readable, ＜em＞Freedom Is Not Enough＜/em＞ shows how Eliot makes a surprising yet vital ally in the struggle to fill the world with more freedom, equality, and human dignity. Without ignoring or downplaying the bigotry and elitism that are ineluctable parts of Eliot's legacy, Query argues that we need today what Eliot has to teach us: about migration, peace, friendship, radicalism, anti-fascism, liberation, resistance, and hope. Drawing on the full scope of Eliot's oeuvre-from his most well-known poetry and prose to newly available archival materials-＜em＞Freedom Is Not Enough＜/em＞ demonstrates how to use Eliot and literature more broadly to confront the forces conspiring to turn our world into a waste land.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Claire Pentecosts ≫Notizen aus dem Untergrund≪ geben sonderbares und transdisziplin?res Wissen ?ber den pflanzlichen Boden, seine Vorlieben und Bewohner preis. Wir lernen Vergessenes und Neues ?ber die Herstellung von Kompost, die Wiederbelebung toten Bodens, bakterielle Molek?le, die kollektiv Signale produzieren, oder ?ber die radikale N?he zweier Organismen durch das Leben eines unverdauten Organismus im Inneren eines anderen. In ihrer untergr?ndigen Kritik, die sie mit Zeichnungen ≫innerer Welten≪ illustriert, denkt die K?nstlerin und Aktivistin Pentecost ?ber die Bedrohung der gemeinschaftlichen Identit?t und der Tr?ume menschlicher Subjekte im Kapitalismus nach. Dieses ≫Umgraben≪, Analysieren und Mischen agrikultureller, ?kologischer und molekularer Mikro-Prozesse vor dem Hintergrund aktueller sozio-politischer Entwicklungen l?sst neue Ideen zur konfliktreichen Wechselbeziehung von ≫Natur≪ und ?konomie keimen.＜br /＞ Claire Pentecost (*1956) ist K?nstlerin und Autorin; sie lebt in Chicago.＜br /＞ Sprache: Deutsch/Englisch＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。