洋書 Arcadia Publishing paperback Book, Wayne County (Images of America)＞◇＊2396 - 隠れ家エステ

＜p＞≪Algunos de los mejores camareros de Nueva York -dice el autor de este libro recordando su experiencia personal-pagaban 40.000 d?lares al a?o para asistir a una escuela que no les estaba ense?ando a triunfar.≫ Actor y celebrado coach de actores, Bernard Hiller aprendi? que ense?ar el oficio no basta, e ide? un sistema de entrenamiento actoral que prepara tambi?n a los alumnos para destacar en la industria del espect?culo. Sin embargo, el mero deseo de ?xito o de fama, de ser reconocido o querido, es lo primero que hay que cuestionar: muchos buscan en el oficio ≪un medio para experimen-tar la vida, pero la interpretaci?n no es m?s que una copia. No es la "realidad". Es necesario vivir primero y conocer la realidad para poder aportar algo de sentido a tu forma de interpretar≫. ＜em＞Deja de actuar. Empieza a vivir＜/em＞ propone ejercicios y consejos para averiguar qu? tiene uno de verdadera-mente especial y para trabajar sobre esa autenticidad que a veces es tan dif?cil descubrir.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

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＜p＞In my edition of the "Prelude and Fugue in C Major; harmonic solutions with patterns of mental bass progressions", I introduced my harmonic solutions for the pieces in the Well-Tempered Clavier, and explained something about my methods. I will not repeat this introduction here, as study of the first Prelude and Fugue will build an excellent foundation, which I believe is necessary in order to continue with others in the collection. Instead, this preface lists the main consequences that are necessarily drawn from my understanding of Bach's harmonic principles, principles which are clearly illustrated graphically within each of my scores for the Well Tempered Clavier.＜/p＞ ＜p＞ー In my opinion, to simply play notes and intervals without any awareness of each note's harmonic identity does not reflect Bach's intent or practice in the WTC. This harmonic identity means that every note in a composition or a performance (which is usually the same thing in Bach) is not just thought of by its melodic function, but is also considered in how it relates to a mental bass. When a note is considered with its mental bass, it can function as a fundamental note, a harmonic third, a harmonic fifth, a harmonic seventh, a harmonic ninth or as a non-chord note. This mental bass is in turn always considered in how it relates to the tonic or a tonic substitute, and will be used in some pattern that moves naturally around this tonic or tonic substitute.＜/p＞ ＜p＞ー Therefore, any conception that a piece from the WTC consists of several "independent" voices does not reflect Bach's compositional process. In fact, the voices of the polyphony are more or less dependent upon these carefully organized mental bass patterns (I have found some passages in Bach's organ music which would have been composed without any underlying mental bass, but am yet to discover any such places in the Well Tempered Clavier).＜br /＞ In many cases, one or more voices are strongly dependent upon the current mental bass progression, with Bach deducing the shape of these voices from the dynamic properties of given harmonic patterns. This can be understood by playing with an awareness of the harmonic identity, instead of merely reproducing the pitches and intervals on the score, which will only grant glimpses of the music's logic and sense.＜/p＞ ＜p＞ー Memorizing every voice of any of the preludes or fugues without this awareness of the underlying logical harmonic progressions created by mental basses is a purely theoretical exercise, and bears no relation to Bach's practice.＜/p＞ ＜p＞ー It is important to remember that in Bach's music, there is only one tonic! For this reason, the tonic substitutes in a piece are always drawn from the tonic's scale (excluding the leading tone), and a mental bass that is a tonic substitute is mostly the goal of a harmonic progression within the piece. This may seem a small point, but I believe it is important if we are to correctly understand Bach's music as being truly tonal, and I insist on this point in the quick reference card at the entry for tonic substitute.＜/p＞ ＜p＞ー Once one has studied any prelude and fugue from the WTC with an awareness of each note's harmonic identity, then the score is no longer necessary for performance or for understanding. The piece will become more and more obvious (even the most complex works of the WTC will become more accessible over time), and can then be played by heart as well as if one had composed them, rather than as some passive contemplation of a mysterious masterpiece, opaque to nearly all minds.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞"Starlit Devotion" invites readers on a luminous journey through the interconnected realms of love, nature, and the human spirit. Each poem shines like a star in the night sky, illuminating deep-seated emotions and ethereal moments that bridge the gap between the mundane and the divine. With lyrical grace and vivid imagery, the poet captures the essence of devotion, whether it be to a beloved, the cosmos, or oneself. Through a tapestry of heartfelt verses, the collection explores themes of longing, hope, and transcendence, encouraging readers to look beyond the earthly realm and embrace the beauty of their desires and dreams. "Starlit Devotion" is more than a poetry collection; it is an invitation to bask in the glow of passion and reflection, to ponder life's mysteries, and to celebrate the quiet reverence found in the dance of the stars.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Tra le tante culture che si sono fuse nel crogiuolo del jazz, quella degli emigrati russi in America rappresenta una fetta non trascurabile. Strumentisti, cantanti, impresari e songwriters hanno tutti contribuito alla nascita della musica popolare americana, una delle fondamenta pi? importanti, assieme al blues, su cui il jazz ha costruito la propria storia.＜br /＞ Nondimeno, durante tutto il percorso di sviluppo di questa nuova musica, ? costante la presenza di un filo che lega i grandi compositori classici russi ai protagonisti del jazz. Un legame fatto di nuovi approcci armonici, di nuove combinazioni sonore e, soprattutto, della bramosia di esplorare terreni musicali sconosciuti.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Lance Thibodaux is hunting in the Honey Island Swamp of Louisiana. A snake bite leads to a battle of man versus nature, until God enters the conversation.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Dramas that are exciting, thought-provoking, romantic, and even scary sometimes. Here are some of my best:＜/p＞ ＜p＞＜strong＞Expedition to Svalbard＜/strong＞: A journalist accompanies an international team of biologists to explore the permafrost for genetic remnants of a deadly disease of the Middle Ages, and they are completely unprepared for what they unearth.＜/p＞ ＜p＞＜strong＞Judgement at Siddim＜/strong＞: A man reassesses his plan to avenge a violent crime against his family after a stranger crosses his path who is set to mete out his own final brand of justice.＜/p＞ ＜p＞＜strong＞The Key Operator＜/strong＞: It’s 1961, and when a bookkeeper is caught using the new office machine to help out his girlfriend, his unscrupulous boss puts the squeeze on him to take part in extortion against the company owner, leading to betrayal and murder.＜/p＞ ＜p＞＜strong＞Sam Tuttle＜/strong＞: A wealthy shut-in, born with an unusual deformity, has his eccentric, anonymous life turned upside down after he helps a young, pregnant woman with amnesia abandoned at the roadside.＜/p＞ ＜p＞＜strong＞Swastikas in New York＜/strong＞: In 1939, as a world war looms and home-grown fascists march in the streets of New York City, a naive, orphaned teenage girl moves into her cousin’s rooming house, whose tenants include a mysterious old man active in the German American Bund.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. Though no longer a household name, his works (particularly his fairy tales and fantasy novels) have inspired deep admiration in such notables as W. H. Auden, J. R. R. Tolkien, and Madeleine L'Engle.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞The sound of chainsaws revving on "haunted" Halloween trails has evoked untold screams since Tobe Hooper's 1974 ＜em＞The Texas Chainsaw Massacre＜/em＞ hit the cinemas. Since that first take-no-prisoners horror movie, Hooper's reputation as a master of horror has been secured by his adaptations of Stephen King (＜em＞Salem's Lot,＜/em＞ 1978, and ＜em＞The Mangler,＜/em＞ 1995), his blockbuster breakthrough ＜em＞Poltergeist＜/em＞ (1982) and a variety of cult hits, from the underrated ＜em＞Lifeforce＜/em＞ (1985) to the remake of ＜em＞Invaders from Mars＜/em＞ (1986).＜/p＞ ＜p＞This reference work is divided into five parts. Part I provides a history and overview of Tobe Hooper's career. Part II offers entries (with synopses, complete credits, critical reception and commentaries) on every feature film by year of release. Part III provides chronological information on Hooper's television movies and miniseries. Part IV offers entries on his episodes from horror television series. Part V is a critical essay and conclusion which places Hooper in horror film history and compares his work to all-time greats such as Romero, Craven and Carpenter.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。