洋書 McGraw-Hill Education Paperback, Drawing from Observation: An Introduction to Perceptual Drawing＞☆■5 - 隠れ家エステ

＜p＞A highly sought-after collectible, ＜em＞Fairyland＜/em＞ features the exquisite illustrations of Ida Rentoul Outhwaite, a noted artist of the early 20th century. Outhwaite excelled at the depiction of dainty sprites, and her whimsical visions are highlighted by images of kangaroos, koalas, kookaburras, and other creatures of her native Australia. Her art ー with accompanying verses by her sister, Annie R. Rentoul, and stories by her husband, Grenbry Outhwaite ー is populated by princesses, witches, pixies, and other folkloric creatures and abounds in timeless charm. This hardcover edition of Outhwaite's most lavish work features dozens of graceful and imaginative illustrations, including nineteen in full color.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Un viaggio in bicicletta nell’Aldil?. Un monaco buddhista di tradizione tibetana, ex ciclista, per mezzo di una tecnica rituale trimillenaria s’intrufola nello stato ＜em＞post-mortem＜/em＞ e ci vaga per un po’, riuscendo a rintracciare le biografie di famosi personaggi della storia mondiale. Che cosa ? successo nell’Aldil? ai brandelli d’anima di Garibaldi o Bach per esempio, Socrate e Savonarola, Hitler e Cleopatra, Presley e Moravia, Leopardi e Tot?? Di ＜em＞curriculum mortis＜/em＞ si potrebbe parlare, o ancora meglio della descrizione dello stadio intermedio dopo la morte che in quella tradizione precede sempre una rinascita. Un intermezzo chiamato Bardo che dura 49 dei nostri giorni, ma che in quella dimensione ha tempi diversi e dilatati a dismisura, in cui le anime restano in qualche modo impigliate nei fatti e nelle circostanze della vita passata. E 49 sono le storie, pi? la cronaca di una corsa ciclistica davvero ultraterrena, in cui l’autore, con la sua solita prosodia vicina al recitato, getta al contempo uno sguardo divertito e dissacrante, ma pure delicato e impertinente sulle nostre vite “di qua”.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞In this useful guide, Leah Scragg indicates some of the ways in which meaning is generated in Shakespearian drama and the kinds of approaches that might lead to a fuller understanding of the plays. Each chapter focuses on one aspect of the dramatic composition, such as verse and prose, imagery and spectacle, and the use of soliloquy, and explores how this contributes to the overall meaning. Written in a clear and helpful style, Discovering Shakespearian Meaning enables students to discover the meaning for themselves.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞This book is a narrative, interspersing prose and poetry within a compatible place. The boundary between these forms is porous, for intersections between them are not considered as a negative. Rather, they are seen as a method--a way to exemplify the various contents by bringing them into a new and less rigid order--and then to watch them change again. The contents comprise a number of issues: Mind, brain, (soul), and their philosophical divergences--fact, fiction, and their pluralities of truth--rationalism, empiricism, and categorical confusion--an intersection of belief-systems generating a field of unlike places--pornography, eroticism, and their changing representations. There is a fantasy about the Devil's need for art in Hell, and some extended frolics with characters out of older comic strips. These are followed by ruminations on dying, ending, and their separate embellishments. Poems weave through and color all. The broad theme of this book interprets culture as a history of transgressions between competing beliefs: Rigid borders inevitably lead to boredom, stasis, and oppression. Porous borders can lead to schism, communion, ecstasy, atrocity--as the passing case may be.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜em＞City of Play＜/em＞ shows how play is built into the very fabric of the modern city. From playgrounds to theme parks, skittle alleys to swimming pools, to the countless uncontrolled spaces which the urban habitat affords ? play is by no means just a childhood affair. A myriad essentially unproductive playful pursuits have, through time, modelled the modern city and landscape.＜/p＞ ＜p＞Architect and scholar Rodrigo P?rez de Arce's erudite, original, and often surprising study explores a curiously neglected dimension of architectural design and practice: ludic space. It is an architectural history of the playground ? from the hippodrome to the Situationist city ? of space released from productive ends in the pursuit of leisure. But this is more than just a book about how architecture has incorporated play into its spaces and structures, it is a history of the modern city itself. The ludic imagination impregnated modernist ideals, and what begins with the playground ends with a re-consideration of the whole sweep of the modern movement through the filter of leisure and play.＜/p＞ ＜p＞Because play is such a basic or fundamental human experience, the book re-grounds the architect's concerns with those of non-architects ? and not only those of adults but also of children. It seeks to give everyone ? architects and other ordinary city-dwellers alike ? a better understanding about what is at stake in the making of the public spaces of our cities.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞＜strong＞"A riveting page-turner that begs to be read quickly, compulsively. But page by page, this electrifying debut by Willa Richards weaves an increasingly complicated and dark tale of guilt, fury, and the danger of building stories on that shakiest of foundations, memory." ーElizabeth Wetmore, ＜em＞New York Times＜/em＞ bestselling author of ＜em＞Valentine＜/em＞＜/strong＞＜/p＞ ＜p＞＜strong＞Set in Milwaukee during the “Dahmer summer” of 1991, a remarkable debut novel for fans of Mary Gaitskill and Gillian Flynn about two sistersーone who disappears, and one who is left to pick up the pieces in the aftermath.＜/strong＞＜/p＞ ＜p＞In the summer of 1991, a teenage girl named Dee McBride vanished in the city of Milwaukee. Nearly thirty years later, her sister, Peg, is still haunted by her sister's disappearance. Their mother, on her deathbed, is desperate to find out what happened to Dee so the family hires a psychic to help find Dee’s body and bring them some semblance of peace.＜/p＞ ＜p＞The appearance of the psychic plunges Peg back to the past, to those final carefree months when she last saw Deeーthe summer the ＜em＞Journal Sentinel＜/em＞ called “the deadliest . . . in the history of Milwaukee.” Serial killer Jeffrey Dahmer’s heinous crimes dominated the headlines and overwhelmed local law enforcement. The disappearance of one girl was easily overlooked.＜/p＞ ＜p＞Peg’s hazy recollections are far from easy for her to interpret, assess, or even keep clear in her mind. And now digging deep into her memory raises doubts and difficultーeven terrifyingーquestions. Was there anything Peg could have done to prevent Dee’s disappearance? Who was really to blame for the family's loss? How often are our memories altered by the very act of voicing them? And what does it mean to bear witness in a world where even our own stories are inherently suspect?＜/p＞ ＜p＞A heartbreaking page-turner, Willa C. Richards’s novel is the story of a broken family looking for answers in the face of the unknown, and asks us to reconsider the power and truth of memory.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Architecte et designer barcelonais, Antoni Gaud? (1852-1926) occupe une large place dans l’histoire de l’art espagnol. L’usage de la couleur, l’emploi de diff?rents mat?riaux et l’introduction du mouvement dans ses constructions furent une innovation dans le domaine de l’architecture. Il laissa dans ses carnets de nombreuses r?flexions ? propos de son art telles que : ≪ La couleur dans l’architecture doit ?tre intense, logique et fertile. ≫ Appuy?e par de nombreuses photographies et de nombreux d?tails architecturaux, l’?tude que m?ne l’auteur, Jeremy Roe, permet une approche du contexte de l’art barcelonais et introduit une minutieuse ?tude critique des constructions, objets et ?crits du plus c?l?bre architecte barcelonais.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞There's a connection that draws you in. Words that captivate your emotions, bringing you into the thoughts and expressions of the poet. This same connection sometimes brings you to tears while being immersed in truth.＜/p＞ ＜p＞This book of poetry expounds on Urban injustice.＜/p＞ ＜p＞While a mother discusses a way out by just BREATHING, she's able to come from behind the brick wall. The brick wall that's stolen our cries, our fears, our mind, our smile, our child; and cause misunderstandings of who, what, why and how we got knocked down!!! All we want to do is bre-e-eathe on the streets where we roam near our homes.＜/p＞ ＜p＞My poems are about the disrespect we suffer because of our beautiful brown skin. Our lives are being taken without regret, and our loved ones suffer this repeatedly day after day.＜/p＞ ＜p＞The richness of our Black history is often overlooked and not identifiable in the lives taken.＜/p＞ ＜p＞I write to expose the wrongs committed against (My) Melanin people that are suffering!! Why? Because of the color of their skin, our skin, when all we want is to Breathe! Poetry draws, it sees the heart and accepts me, allowing me to release and not look back with regrets.＜/p＞ ＜p＞My motto "Blessed" to just BREATHE !!!!!＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。

＜p＞Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them to the development of a European theatre institution have long been neglected owing to the pre-eminence of national theatre histories and the difficulty of researching an inherently evanescent phenomenon across large distances. These contributions are here introduced in their proper contexts for the first time. Stages of Loss explores connections real and perceived between diminishments of national value and the material wealth transported by itinerant players; representations of loss, waste, and profligacy within the drama they performed; and the extent to which theatrical practice and the process of canonization have led to archival and interpretive losses in theatre history. Situating the English Comedians in a variety of economic, social, religious, and political contexts, it explores trends and continuities in the reception of their itinerant theatre, showing how their incorporation into modern theatre history has been shaped by derogatory assessments of travelling theatre and itinerant people in the seventeenth and eighteenth centuries. Stages of Loss reveals that the Western theatre institution took shape partly as a means of accommodating, controlling, evaluating, and concealing the work of migrant strangers.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。